Julian Stallabrass, Sebastiao Salgado and Fine Art.

Julian Stallabrass takes us inside the international art world to answer these and other controversial questions, and to argue that behind contemporary art's variety and apparent unpredictability lies a grim uniformity. Its mysteries are all too easily explained, its depths much shallower than they seem. Contemporary art seeks to bamboozle its.

Memory of Fire is an unparalleled visual, theoretical and historical resource about the photography of war, and how images are used as instruments of war. With essays and interviews by prominent theorists, artists and photographers the book covers the urgent issues of the depiction of war, the use of images of war by the media, various forms of censorship, the military as a PR and image.

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Julian Stallabrass is a British art historian, photographer and curator. He was educated at Leighton Park School and New College, Oxford University where he studied PPE. A Marxist, he has written extensively on contemporary art (including internet art), photography and the history of twentieth-century British art.

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Julian Stallabrass describes his anthology Memory of Fire: Images of War and the War of Images as comprised of “pairs of loosely associated essays and interviews.” Stallabrass is an unusually thoughtful photography critic, but this is an overly generous description.

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